Rollei Retro 400s Film Review

Click on play button to listen to the review:

Images: click on each to view larger….

SchaubTest400sEI400Diafine4_4

Schaub400sTesting

Film Data Sheet: Click Here

additional reading: www.martinzimelka.com/pages/Rollei_Retro400s.html

Viva la Revolution- Stephen

 

Bergger BRF 400+ Film Review

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Click on the audio play button to listen to my review of this great classic film!

Bergger BRF 400+ at EI 6400!!!!! A very low light test….. click on the image to see larger.

BRF400+@EI6400
Bergger BRF 400+ at EI 6400!!!

Development as outlined in audio:

1:100 Rodinal at 68-70F 2 Hour Stand Dev

Usable EI from 400-1600

  • Initial agitation for 30 seconds
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Dump and finish process.. Stop/ fix/ clear/ wash/ dry.

1:50 Rodinal at 68-70F 2 Hour Stand Dev

Usable EI from 1000/1600 – 6400+

  • Initial agitation for 30 seconds
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Swirl like wine for 10 sec
  • Rest 30 Min
  • Dump and finish process.. Stop/ fix/ clear/ wash/ dry.

Another great alt developer is Caffenol CL… just google it and follow the directions exactly!!! Usable out to 3200 but the Rodinal version outlined above is better at the higher speeds. And you can see the grain is a bit softer but the tonal range is still crazy great!

Bergger BRF400+ at 1600 Caffenol CL Dev
Bergger BRF400+ at 1600 Caffenol CL Dev

NOTE: I meter my shadows for Zone 4 in most cases… with this film it is VERY important for faster EI’s to meter for the shadows… highlights are not a problem. Here is a video on why meter for Zone 4.

Viva la Revolution- Stephen

My Current Film of Choice

For 35mm and a classic feeling this has become my go to film! More on my processing techniques in a later post.

Viva la Revolution- Stephen

PS- will be in New Orleans starting Sunday for a few days of shooting… Drop me a line if you are in the area.

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Back to Paris… Again

So I am heading back to Paris tomorrow provided I can make it to Boston to get my flight!

Paris Bound

On my last trip to Paris 5 weeks ago I shot with the Leica Monochrome exclusively…. on this trip it will be my Leica M4 film cameras exclusively! Hint… my next big article here on FR.

I have also been testing a lot of film and developer combinations the last 5 weeks… a lot! I really like the Bergger BRF 400+ in Caffenol CL and Caffenol CH with EI in CL out to 3200+. Rodinal provides a very crisp negative and Xtol is another good choice at 1:1. Another film I have been testing a lot is Delta 3200 processed in PMK double strength… nice range of tones and usable out to 6400 and perhaps 12,800 with proper shadow metering. Today I am running a test looking at the Delta 3200 in PMK with 1.5 strength as at double the highlights get a bit hot at lower EI’s… I want it all- 400-6400!!!!!! Stay tuned!

Oh and the Bergger BRF400+ in PMK is around 200-400 with a beautiful tonal quality. I have heard many people compare the Bergger  to Tri-X… Yes, but only if you are talking Tri-X from the 1970’s and even then it is more like XX than TX. It is very low contrast film which is a good thing for scanning and has a softer rendering then most modern films… perfect for a classic look. In Diafine it is nice but the grain needs a bit of a kick in PS with some structure and a “S” curve to add depth- in Diafine a usable EI of 1600 is not a problem.

Viva la Revolution- Stephen

News From Kodak on Film Production Materials

Kodak

So in case you missed  the hysteria: Kodak is no longer going to make acetate which is a base material for most roll films… HOWEVER!! this does not mean the end of film for Kodak. Kodak reportedly has several years worth of  material on hand, their sheet films are on ESTAR base material- which they still produce- and they are looking for additional vendors to fill their acetate needs when their supply runs does out… again not for several years. This is really not as big a deal as some would suggest. Other sources of acetate exist- there will be a lot more news like this in the coming years from all current film makers, so we as film shooters need to take it in stride and not freak out – yet! For now just go shoot some freaking film!

Link to article:

http://motion.kodak.com/motion/About/The_Storyboard/4294971668/index.htm

Viva la Revolution- Stephen