Kodak Shares Portfolios

Very excited to announce that Eastman Kodak has been sharing my artworks on their social media feed on Instagram. The most recent portfolio just posted last night– check it out and please follow me on Instagram for the latest news.

@stephenschaub

Viva la Revolution- Steve

Make One and Be Done

AudioBlog LogoClick on the audio blog logo to listen to a discussion on making one of one photographic prints.

Field

New Artwork form my upcoming show at Indian Hill Imageworks, Opening October 9 from 5-7 pm.

  • Hand-held negative pinhole image printed on hand-made Bhutan Mitsumata Thick White paper as a d’Vinci Noir Print
  • Edition size: one.
  • Image size: 22″ x 32″

Pocohontas Meets Matt Abelson and Stephen Schaub

Pocohontas Meets Matt Abelson and Stephen Schaub, Brattleboro, VT. 2008

Listen to this exciting interview with Matt Abelson of Abelson Scope Works as he talks about his Pinhole Camera Systems(Hexomniscope, Omniscope and Pinhole Turret). Interview by Stephen Schaub.

Note: The Omniscope is in Matt’s hands (left) and the Hexomniscope is in my hands (right)…Pocohontas is just along for the ride.  Also, as mentioned in the audio blog please post questions to Matt Abelson here in the comment section under this post and I will pass it along to Matt so that the questions and answers can accompany this post for the benefit of all.

Viva la Revolution!!

28mm Zone Plate meets the M7 and Diafine Developer

Some years ago I did extensive work with pinholes, Zone plates and Holga camera systems, specifically for my Through A Glass Darkly artworks and book. Recently I decided to give a Zone Plate a try on my Leica M7 (it is a 28mm f/32 Zone Plate I purchased from Pinhole Resources) and TX processed as I have already outlined here on the Figital Revolution using Diafine Developer. It seems to me that this combo of TX/ Diafine/ Zone Plate and Leica M are a perfect combo. The TX and Diafine Developer really help control the Zone Plate with regards to contrast and it also gives me a high enough EI to make hand held shots very possible (my usable range for TX in Diafine is 400-1600). The M7, or really any rangefinder camera system is nice as the image view is not reduced (illumination) by looking through the Zone Plate as would be the case with an SLR (of course this means that you will have to visualize your final image as none of the Zone Plate qualities will be visible until you process your film assuming you’re using a film rangefinder). Of course digital capture would give you instant feed back (did this a few years ago in the American Southwest) but I just love the look of this combo. Scans were done in house at Indian Hill Imageworks on our Imacon Scanner, wet mount at 3200 optical dpi- a few resulting images are below from my first roll…

 

For more information on using a Zone Plate or for that matter what is a Zone Plate check out the links below.

Viva la Revolution!