CineStill CS6 “CREATIVE SLIDE”

I was very happy to be asked a few months ago to look at this new E6 process from CineStill and give them my thoughts. After testing for Kodak the new E100 in 120 last year this was indeed an exciting development. (See what I did there? Somewhere right now my wife is rolling her eyes.)

Figure In Window

E100 DaylightChrome Developer • Linhof 6×12 with 58mm XL • 120

 

So what’s unique about this E6 kit? Here are the descriptions from their website:

D9 “DynamicChrome” Warm-Tone Dynamic 1st Developer.
Renders approximately 9+ stops of usable dynamic-range*!  Conventional E-6 processing renders approximately 6 stops of usable dynamic-range*. Extended exposure latitude while maintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. High-dynamic-range for warm-tone slides in daylight, shade or with electronic flash.

FarmBuildings_E100_Dynamic
E100 DynamicChrome Developer • Widelux F7 • 35mm ©Schaub 2020

 

D6 “DaylightChrome” Neutral-Tone 5500K 1st Developer.
Renders approximately 6+ stops of usable dynamic-range*, with brighter whites and moderately enhanced color saturation, just like conventional E-6 processing. Daylight-balanced 5500K for neutral-tone slides in daylight or with electronic flash.

Windows_E100_D
E100 DaylightChrome Developer • Fotoman 6×24 with 90mm XL • 120 ©Schaub 2020
Barn_E100_D
E100 DaylightChrome Developer • Fotoman 6×24 with 90mm XL • 120 ©Schaub 2020
Barns_E100_D
E100 DaylightChrome Developer • Fotoman 6×24 with 90mm XL • 120 ©Schaub 2020

T6 “TungstenChrome” Cool-Tone 3200K 1st Developer.
Renders approximately 6+ stops of usable dynamic-range* with brighter whites, and moderately enhanced color saturation. Tungsten-balanced 3200K for artificial light or cool-tone E100T slides. Also, works great for push processing in limited light!

Orchard_E100_P800_T
E100 PUSHED to 800 TungstenChrome • Linhof 6×17 with 90mm SA • 120  ©Schaub 2020             In this example I wanted to see how using the film in daylight and pushing could create interesting cinematic contrast and color… I was very happy with the results.

I found mixing the chemicals to be easy and processing in my JOBO was a piece of cake. I already run my own C41 in house as well as a myriad of B&W developers.

My biggest advice to anyone who wants to process their own E6: the developer temperature is critical. Keep the developer within 1 degree F or less for best color, contrast and density.

For more information please visit:

Cs6 “Creative Slide” 3-Bath Process for color-timing E-6 reversal film

In conclusion…. I think CineStill’s new offering is a unique and valued addition to the E-6 processing community. It doesn’t seem so long ago that Ektachrome was discontinued- temporarily as it turned out. But today that tide has turned, and I continue to be excited by the strong and vibrant resurgence of film and film processing options.

Viva la Revolution!-

Steve

 

CineStill BwXX Film (Kodak 5222) Developed in Instant Coffee

So here are my latest results experimenting with CineStill film in Caffenol (instant coffee)… I am very happy with this combination! I have found the usable EI for this film-developer combination to range from 100-3200, all with one processing time, but the very best is around EI 640. This test image was made with my 1956 Leica M3 with a 1960 Leica 135mm Leitz Wetzlar Elmar at F5.6.

I’ve been continuously tweaking my Caffenol developer and developing technique over the past few years… I find it to be a very solid go-to developer for virtually any black and white film.

Viva la Revolution- Steve

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Schaub Artworks at the Kent Museum

Very excited about this upcoming show at the Kent Museum…. for more information click on the image: 



If you have never been to the KENT Museum it is an amazing space in one of the most beautiful settings… it’s a must visit! — at The Kent Museum.

 

Should Art be Free— Thought for the Day

Art should not be free. In days past you had to pay a price to view Art- most Art was for the church- and they demanded your very soul 😉 Modern visual artists give everything away for likes online, which is crazy. Movies are not free, concerts are not free, books are not free, plays are not free. When artists endlessly post our images online it devalues you as an artist and gives you a false sense of success. So here’s my thought for the day: Promotion is one thing but limitless sharing of your work is just bad business.