Kodak Ektachrome E100 is BACK in 120 and 4×5 – Full Review

 

 

 

Today is a very exciting day! Kodak has just released Ektachrome E100 in both 120 and 4×5… how’s that for a holiday present?!

Sample images below: please note they are somewhat bigger files so they make take a moment to load.

Reimagining Transparency Film

By Stephen Schaub

When I was asked to shoot a few test rolls of the new Ektachrome 100 in 120 it just happened to be October, and I just happen to live in Vermont. Of course, New England is famous for these few short weeks each year when the light, crispness and color­ engages and captivates, turning all who experience it into artists who want to capture it. The timing could not have been better.

Although my current artworks are large, complex, in-camera collages on film, often employing cross-processing and alternative developers, I realized that work would not have been a suitable test for the few precious rolls of film Kodak sent to me. Rather, I revisited my earlier, more traditional methods of working and enjoyed returning to an earlier version of myself.

I chose to shoot familiar places. I really wanted to see how the color, dynamic range and sharpness of this reborn film in 120 would behave compared to my normal negative materials. I am pleased to report that everything I loved about the old Ektachome 100 is back in a big way: the color, the pop, and the sharpness are all there. The exposure latitude is extremely good, and scanning the film was easy.

SchaubIGFinalKodakE100Group_A

Working with the combination of my Linhof Technorama 612 PCII and lenses by Schneider Kreuznach provided a profound depth and clarity, and really brought out the technical best in this film. Coupled with scans from my Imacon Scanner the resulting files really know no limits of scale of reproduction.

As a vocal advocate of traditional film, I think and talk a lot about how our relationship to film has changed; this test got me thinking in particular how much our relationship has changed with regards to transparency film. Years ago I would have been juggling a color meter and every Wratten Gelatin filter imaginable in order to color-balance the film to the light source(s) for perfect accuracy. My concern for shadow depth and detail would have resulted in most cases in a pre-exposure to balance contrast. But in 2019, with 99% of film users working in a Hybrid Workflow of film capture and digital scan, all of that is changed. Transparencies that once would have been considered too light or too dark can in most cases be saved through well thought-out scanning techniques. Choices of appropriate color spaces during the scanning process are as important to the final image as masking and color corrections were to making a great print in days gone by.

SchaubIGFinalKodakE100Group_B

Transparency materials are unique: they have a pop, a micro-clarity and a feeling that is lost to color negative materials. The ability to edit work directly on the light table is significant. Moving forward, our relationship with transparency film is built on previous strengths but now with more advantages than ever. Kodak’s Ektachrome 100 is showing us that way.

Follow all fifteen photographers who are part of the launch on Instagram:

Stephen Schaub

Wendy Laurel 

Sandra Coan

Jesse Pafundi

Michael Strickland

Mariana Montrazi

Gabriela Olmeda

Victor Laborde

Timo Kerber

Ian Howorth

Eddie Otchere

F & R

Yao Keng

Haosen Jin

Mr. Koichi Akagi

Official Press Release from Kodak Alaris:

Kodak Alaris Announces EKTACHROME E100 Availability in 120 and Sheet formats

ROCHESTER, N.Y. Dec 10, 2019 – Kodak Alaris today announced the launch of EKTACHROME E100 in larger formats. A new 120 format 5-roll propack and a new 10 sheet 4×5 box will be available to order within the next 10 days, worldwide.

These new format offerings follow on the highly successful launch of EKTACHROME E100 in 135-36x size last year. “Our new E100 film is a big hit with photographers of all ages” said Dennis Olbrich, President – Kodak Alaris Imaging Paper, Photo Chemicals and Film. “The market response has been tremendous. Adding 120 and sheet films takes us to the next level.”

Sales of professional photographic films have been steadily rising over the last few years, with professionals and enthusiasts alike rediscovering the artistic control offered by manual processes and the creative satisfaction of a physical product.

KODAK PROFESSIONAL EKTACHROME Film E100 is a daylight balanced color positive film, featuring clean, vibrant colors, a neutral tone scale, and extremely fine grain.   Its distinctive look is well suited to a wide range of applications, such as product, landscape, nature and fashion photography.

We’ve posted images from some of the photographers who participated in our pre-launch activities. Check out their work on our social media channels.

 To learn more, please visit http://www.kodakalaris.com/go/profilms

Follow us on Twitter @kodakprofilmbiz and Instagram @KodakProfessional

Like us on Facebook http://www.facebook.com/kodakprofessional

 

Viva la Revolution- Steve!

 

 

 

 

Stephen Schaub Talk at The Artist Book Foundation at MASSMoCA

My talk at The Artist Book foundation at MASSMoCA, January 26, 2019.

Viva la Revolution- Steve

CineStill BwXX Film (Kodak 5222) Developed in Instant Coffee

So here are my latest results experimenting with CineStill film in Caffenol (instant coffee)… I am very happy with this combination! I have found the usable EI for this film-developer combination to range from 100-3200, all with one processing time, but the very best is around EI 640. This test image was made with my 1956 Leica M3 with a 1960 Leica 135mm Leitz Wetzlar Elmar at F5.6.

I’ve been continuously tweaking my Caffenol developer and developing technique over the past few years… I find it to be a very solid go-to developer for virtually any black and white film.

Viva la Revolution- Steve

Please follow me on instagram for daily updates: @stephenschaub

Stephen Schaub Becomes a Movie Star

That’s right! I am happy to announce that I am being featured in an upcoming documentary of photographers who work with motion picture film for still photography. The amazing Brendan Leahy of Studio Skylight has visited my studio for location filming at the Wilson Castle in Vermont, MassMoca and The Artist Book Foundation (more on that in just a bit) and on Cape Cod. We are planning additional shooting in Mexico and NYC in the very near future. The full length documentary- featuring ten artists from across the United States, but most importantly ME- will be out in early summer and will be featured at an exhibition I am curating on the topic of motion picture film photographers at the Wilson Museum at the Southern Vermont Art Center in Manchester, Vermont.

For now please enjoy these two teaser clips… sound on for best experience…

And follow me on instagram @stephenschaub where I am posting a lot of new content and daily studio updates.

Viva la Revolution- Stephen

 

The Way Back: From Film Emulation to FILM

An article I interviewed for in Singapore during XEdition 2018 has just published on Lifestyle Asia… its on how the iPhone/ camera phones and film simulation apps like Instagram, Hipstamatic and Huji Cam may actually be encouraging younger shooters to look towards film.

http://www.lifestyleasia.com/569088/film-digital-photography/