Just to be clear…. I still stand by my original processing technique outlined here in FR years ago which does not use the pre wet and has slightly more agitation than the technique outlined above (metal reels and tanks only for the older process). If the film and agitation technique is perfect without a pre wet then go for it but I have found most modern films do benefit from the pre wet… the only downside is developer longevity and about 1/3 stop loss in speed.
I am heading to the Cotswolds (UK) in just over a week and running one last set of tests over the next few days…. looking at chromogenic B&W films (and converted Portra 400) compared to traditional B&W films processed in Pyro 510 (stand development)… all for the purposes of scanning.
PS- and yes that is Fuji Neopan 400CN… very hard to get here in the USA as it is not imported… made by Ilford for Fuji, based on XP2 Super but it is a different film made to Fuji Specs… time will tell.