• Variable speed (ISO 200-800) I’ve pushed to 1600 with very good results, but the sweet spot is around 400.
• 120 format!!!!!!!!!!!!
• Classic cinematic look
• Rich tonality
• Excellent sharpness
EveNSteve like this film so much we’ve already made an artwork using it. Click on the movie below to watch the one minute artwork film by EveNSteve:
There Are Forests In The Animals
As I mentioned in the audio above I really wanted to showcase the cinematic feeling this film has, but also show the creative flexibility that is possible. This is not a modern film, and that is a very good thing!
A few sample images below showing the packaging which is of very high quality and a little bit of camera porn….
In conclusion I think the images speak for themselves. How wonderful in 2021 to be welcoming a “new” B&W film to our world…
This makes me very happy! Back when I did my review of Df96 monobath developer (link below) my only issue was the cost of shipping liquid chems is very high due to the weight. I asked about the possibility of a power version and was received with a hmmmmmm…. well that hmmmmm has turned into a big YES. This is very good news not only from an economic standpoint but it will now allow this chemical to ship to many more locations and the increased shelf life of unmixed powder is a very big plus.
So here are my latest results experimenting with CineStill film in Caffenol (instant coffee)… I am very happy with this combination! I have found the usable EI for this film-developer combination to range from 100-3200, all with one processing time, but the very best is around EI 640. This test image was made with my 1956 Leica M3 with a 1960 Leica 135mm Leitz Wetzlar Elmar at F5.6.
I’ve been continuously tweaking my Caffenol developer and developing technique over the past few years… I find it to be a very solid go-to developer for virtually any black and white film.
A picture is worth a thousand words… so this is going to be a very short review!
Bergger Pancro 400 reminds me a lot of XX by Kodak– it has a very classic long greyscale with just the right amount of grain and amazing highlight control. The quality control is very high, and I love that it’s available in all formats, 35mm through 8×10 sheet film. After extensive testing I have decided to make it my go-to 120 film… yeah it’s that good! In 4×5 the grain is very, very smooth and round. In 120 the grain is there, but very fine and beautiful which I think adds a wonderful depth to the scanned film. As for 35mm? There will be grain, but again it is a classic looking grain, which I love.
So, if you want lifeless, flat, smooth boring film? Bergger Pancro 400 is not for you! This film is classic… and combined with Df96 developer it hits all the right marks.
Rate Bergger Pancro 400 at between 100-325…. I find 200/250 to be the sweet spot if you want full shadow detail. This holds true for all the developers I tested this film with.
CineStill Df96 MonoBath developer produces the very BEST negatives I have seen with this film; it is a perfect combination.
Try pulling the film with Df96… shoot it at 200 and pull 1/2 to 1 stop in development. Note: I did not do that in the sample image above but I could have… it’s a nice way to control high contrast scenes.