Very excited to share this new documentary video on my artworks. Big thanks to CineStill Frames and Studio Skylight.
Viva la Revolution- Steve
Very excited to share this new documentary video on my artworks. Big thanks to CineStill Frames and Studio Skylight.
Viva la Revolution- Steve
Very excited to announce an in-depth interview I did with Eastman Kodak for the Kodakery on my works, curating shows and just about everything FILM.
https://www.kodak.com/corp/podcast/podcastepisode/?contentid=4295013864
Viva la Revolution- Steve
So very sad… a huge influence on me… be sure to watch at least episode 1 as it is quite thought provoking and VERY relevant today.
Perhaps one of my favorite videos on art and the importance of how and where it is experienced. This is part one, the other parts are ok but this one from 1972 is a must watch for everyone in 2016!
Viva la Revolution- Steve
Welcome to the new layout for the Figital Revolution. Everything you’ve grown to love is still here and YES the ReEducation Videos are back with more to come very, very soon so stay tuned. Also, I just sent out the first FR newsletter (Viva La Revolution) so be sure to sign-up to get them delivered weekly (FREE and you can unsubscribe at any time). Please note that there is also an RSS feed to the newsletter archive…thanks for the suggestion!
Do you like morning or afternoon light? Are you a fall shooter or spring shooter? What is your editing process from capture to print? These are just a few of the topics discussed by hybrid artist Stephen M. Schaub, providing examples and suggestions on how to fine tune yourcreative process and better understand your Art Cycle.
Sitting in my studio with my Mentor Student Bill during our regular weekly class we decided to work on a new image Bill had made this last week. The image as described by Bill was not a “great image” but it had elements that he wanted to work with and explore. Cul.
I always give the advice that if you only work with your best images you are really missing the learning opportunity that other works you make offer. Working with images that are not quite 100% for one reason or another really releases the creative juices and allows you to take chances you would not with your precious perfect images.
The tipping point in this image was the initial crop. The monument was not the subject of the scene, in fact it hurt the image as it separated the scene into two distinct parts…the snow and color on the mountain was the subject and something which could be explored. Bill confessed to me after an hour of water boarding and general CIA approved questioning techniques that his initial instinct was to just shoot the mountain with the snow and color but he decided that the Monument would maybe make it better…(Bill will be forgiven for this lack of self confidence after he has read the Figital Revolution Manifesto 20 times as a penance.) So, after an hour of editing and working with color and local contrast the final image conveys the energy Bill was looking for in the first place.
What does this mean?…don’t discard an image too fast….the process of making an image can be very rewarding in itself and it is a great learning tool with regards to understanding your work and developing style.
Now go dig out those dusty negatives and digital files and get to work!
My thanks to Bill for help with this post…to view more of his works please visit: billguild.com