In this audioblog I present a philosophy of scanning film based on the understanding that in the end photographers make prints and our entire process from film capture to scan to Photoshop to printer is all based on making prints. I outline in detail techniques and settings which will apply to most scanners and will help you get the most of your film and scanner combination. This is a very long audioblog- 27 minutes- and as such have paper and pencil ready, as you won’t want to listen to my voice for this long twice!
Full Process Example Image
Yellow Spring, Vermont. 2009
This recent artwork of mine is a good example of the process outlined in the audioblog. I started with Kodak Ektar 100 film (35mm)- I’ve tested this film and understand how to get the most out of it in a variety of different lighting situations. The camera was my Leica M7 with a 28mm Zone Plate, and the image was made using my Overlapping Frame Panoramic Technique outlined here on FR. After processing (C41) the negative was scanned dry on my Imacon at 4000 optical dpi, 16 bit as an RGB positive, with miminal sharpening and dust removal. All other editing and contrast adjustments were done in Photoshop. My chosen Photoshop color working space as well as the scanning color space?sRGB. Final thought
Knowing the real limits of your workflow, technology and skill level and having a clear understanding/ feeling for your visualized final print helps make the entire process a very fluid and creative endeavour. Test first and remember: experimentation is key!
I’ve just started a film test in preparation for my trip to Italy next month– the two films in consideration are Kodak Ektar 100 and Agfa Precia CT cross processed. Thus far, most of the artworks from my current series A New Eden are either XPRO (cross processed- E6 film in C41 chem) or expired film. However- after much testing here on FR I have recently fallen in love with the new Kodak Ektar …SO I decided to do a quick comparison test and find out: does the XPRO effect really have to be actual cross-processed film?
So what do YOU think? Look at the snapshots below and see if you can pick out the one that is the Agfa Precia CT XPRO…only one is true XPRO…the others are all Kodak Ektar in Photoshop using Alien Skin Exposure 2!
Think you have the right answer? Then give a listen to the Audio portion of this post for additional thoughts on cross processing / Xpro… as well as the answer!
Everyone knows that the current global financial crisis is crippling many businesses- but it is possible that the photographic industry as a whole may come out of this painful situation better than it went in! Give a listen.
I spend a lot of time testing and re-testing my materials so that when I need to make a print I can make it perfect the first time. One of the biggest difficulties with printing on uncoated papers is the paper getting plugged up (this a huge problem with the introduction in many new printers of 9+ inks…that’s a whole lot of fluid!) The solution can be simple (note: its not Pepto Bismol) so give this audioblog a listen!
Recorded in response to an article on the Luminous Landscape website by Bernard Languillier which raises many questions, among them: doespaper matter? Are paper’s days numbered? Should we paper-huggers, in fact, all just hang it up and go home in the face of a brave-new-world of LCD and Plasma screens?
The Mega-Pixel wars are still hot with the introduction of Hasselblad’s new 50MP Digital Back (H3DII-50) and Phase One’s new 60MP Digital Back (P65+)…but, really, who is the market for these new bleeding-edge systems? Does anyone really need 60MP? Can anyone besides my dentist really afford it? Click on the audio logo for more! By Stephen Schaub.
This informative, 5 minute audioblog provides thoughts and techniques on using Photoshop as a quick responsive tool! Find out which four core tools you REALLY need to know and avoid the endless black hole that captures so many photographers working in Photoshop. By Stephen Schaub
Every photographer I know is at least a bit OCD…that is to say we worry and test our materials far more than any other art form- and perhaps even far more than we really need to. This audio blog attempts to provide a bit of breather room and hopefully some ideas on how to control your OCP (obsessive complusive photographic disorder) before it is too late!
As promised here is the next installment in the ongoing exploration of Diafine Developer and TX. In these videos hybrid artist and master printer Stephen Schaub (The Leader) discusses scanning techniques, color management considerations and Photoshop techniques to maximize your Diafine processed TX negatives!! (Please note that due to a time limitation on Youtube the video has been broken into two parts so be sure to watch BOTH videos!!)
Stay tuned for part 3 of the Diafine and TX saga early next week on the Figital Revolution!