Publishing Your Own Photography Book- Part 2

I decided to have Blurb print and bind a second copy of A New Eden Volume 1 for two reasons…

  • 1. To see how the printing consistency would be.
  • 2. To see how the Image Wrap cover option compared to the dust jacket option.

Some More Thoughts:

THIS JUST IN- I like the Image Wrap cover with the premium paper as the best-of-all option- the dust jacket keeps falling off the book and drives me nuts. The dust jacket does have a better range of color than the image wrap, and is glossy but there is something nice to the look and feel of the image wrap, and on a small book with only 38 pages- like mine- as the extra material of the image wrap makes the spine look and feel nicer…the book just feels more complete. The premium paper is way nicer than the standard (I tried both) and really worth the few extra dollars. With regards to printing consistency… seems OK to me so far but I will continue to monitor and keep you posted if my thoughts change.

Biggest question: does this process make sense if you are selling your books? Services like Blurb are much less expensive than some other online publishing companies… that being said, the per book cost for my Eden project is now at almost $40. When I compare this to my similarly-priced second book Through A Glass Darkly -which is in a league all it’s own and beyond compare to anything Blurb or any online service can print or bind- it does give one pause. Once again, I think you need to think of a book like this as a very nice promotional piece, that you will at best maybe make a few bucks on… but ultimately with the ulterior motive of greater visibility for your works which will hopefully translate into print sales and other good things. I’d suggest a markup from Blurb’s cost at around 10%, it’s a fair percentage and at the same time keeps your per book cost at a point that is still marketable.

LINK: Publishing Your Own Photography Book, Part One.

Viva la Revolution – Stephen

The Olympus XA 4 – My Everyday Carry Camera!

xa4

The Olympus XA 4 is a wonderful merger of Zone / Scale Focus, sophisticated photographic creative control and an amazing 28mm macro lens… released in 1985! In a previous video blog I compared the Olympus XA to the LOMO LCA and LCA+  for the purposes of pointing out strengths and weaknesses to both systems- the Olympus XA 4 strikes the perfect balance between these two very different cameras and has now found itself as my everyday carry camera.

VIDEO:

IMAGE:

powerxa4

TEST EXPOSURE…Olympus XA 4 focused at 1′. Exposed on Kodak Ektar 100… exposure was hand held at under 1/30th of a second (interior light glows at exposures under 1/30th) at F5.6  (at the 1′ focus setting the minimum f stop is f 5.6. Note the nice crisp detail and beautiful  out of focus (OOF) rendering. Yes I know it is not “Leica Sharp” but damn it is really good for a Point and Shoot from 1985! One additional thought… I love the new Kodak Ektar 100!

LINK:

Fantastic sites with lots of information on the XA line…

http://diaxa.nfshost.com

The XA Way

Beyond the Frame and Glass: Alternative Print Display Solutions

AudioBlog Logo

In this audio blog I give examples of multiple options for the display of photographic artworks beyond just a frame and glass. Given the current economic crisis, the tightening of clients budgets, and the ever-increasing cost of materials, these alternative print display solutions are a great option to consider for any fine art photographer requiring a modern presentation and an affordable price tag.

IMAGES:

LINKS:

Pin Clips

T- Pins… available at most craft stores.

Neodymium Micro Magnets

Magic Tape Velcro

Is Cross Processing or XPRO Dead?

I’ve just started a film test in preparation for my trip to Italy next month– the two films in consideration are Kodak Ektar 100 and Agfa Precia CT cross processed. Thus far, most of the artworks from my current series A New Eden are either XPRO (cross processed- E6 film in C41 chem) or expired film. However- after much testing here on FR I have recently  fallen in love with the new Kodak Ektar  …SO I decided to do a quick comparison test and find out: does the XPRO effect really have to be actual cross-processed film?

So what do YOU think? Look at the snapshots below and see if you can pick out the one that is the Agfa Precia CT XPRO…only one is true XPRO…the others are all Kodak Ektar  in Photoshop using Alien Skin Exposure 2! 

Think you have the right answer? Then give a listen to the Audio portion of this post for additional thoughts on cross processing / Xpro… as well as the answer!

AudioBlog LogoPlease click on the logo to listen to the audio.

 

 

When you finish with part one, click here to listen to part 2!

New Kodak Ektar 100 vs Kodak 100 Ultra Color

Kodak Ektar 100

This is part 2 of my review of the new Kodak Ektar 100 film- click HERE to read part one. In this test I decided to compare the same scene photographed side by side, one shot with the new Kodak Ektar 100 and one with Kodak 100UC.

Test Specifications:

Camera: 2 Olympus XA cameras both just calibrated and shot at F8, focused at infinity.

Film: Kodak Ektar 100 rated at box speed (100) and Kodak 100UC also rated at box speed (100).

kodak100ucboxScanned on an Imacon scanner (dry) at 3000 PPI so around a 68MB 16 Bit RGB file.

Color Space: sRGB

No sharpening applied in the scan or in Photoshop. All scanner settings were set for Standard RGB Negative with full auto applied.

In Photoshop only AUTO settings were used (levels, contrast and color)- no additional image manipulation was applied. Test files were then down sampled to 8 Bit and reduced to 10″ x 6.5″ for faster download- saved as a JPEG, Level 10.

Please only download the sample files if you have a high speed internet connection as they are around 3MB each compressed.

Kodak Ektar 100 Film TestKodak Ultra Color 100 Film TestMy Thoughts:

The Kodak 100 UC has a better exposure latitude, especially at box speed than Ektar 100 does but the grain is a bit more pronounced and the color is somewhat muted whereas the new Kodak Ektar 100 at box speed is a bit thin but has nice saturated colors and somewhat finer grain. Exposing the new Kodak Ektar at an EI of 50/ 64 will make this film very hard to beat.

Overall both films are quite nice but I tend to like the look of the Ektar best, especially when exposed at an EI of 50/ 64. I find scanning the new Kodak Ektar film quite easy and possible enlargements from a good sharp capture lens and a good quality scanner with a bit of work in Photoshop can produce some amazing quality prints even at sizes up to say 20″ x 30″… remember this is 35mm!

Note: If you want to try this film be sure to rate it at an EI of  50/ 64 otherwise your shadows will be thin and you will not be seeing all that is possible from this new offering. Yes, I like this film!

Please note that the sample files are for personal use only and are Copyright Stephen Schaub, 2009.

Diana Camera Film Loading Tip and Technique

Have you ever finished shooting a roll of 120mm  film in a Diana F+ Camera only to find the roll very loose (light leaks, anyone?) …I’m all for some light leaks now and then- part of the fun with the Diana- but a loose roll that was NOT intentional can be a real problem! Here is a super quick video blog on how to load 120mm film in a Diana F+ camera and KEEP the film spool tight! This video demonstrates a modification to the film tabs that has proven very successful in over 100+ rolls of 120mm  film pushed through my own Dianas!

Please note the video is high quality so it may take a few seconds to load.

Viva la Revolution- Stephen

Shoot Diana Exposure Calculator

shootdianalogo

Shoot Diana on the 35mm back

As many of you know I have been working with the Diana F+ camera for some time now for my new series of artworks, A New Eden. In the course of making these works I have spent considerable time working out what I feel is a fast reliable exposure system for the Diana Camera and I have now decided to share the results…(drumroll please)… may I present the Shoot Diana Exposure Calculator. Each chart is a premium vinyl adhesive sticker that can be attached to your camera back or the top of the Diana flash and provides easy to read information for a vast variety of shooting situations for both ISO 100 and 400 speed films.

The Shoot Diana Exposure Calculator differs from the FREE exposure calculator I posted a few days ago, in that it gives the required number of shutter clicks at “N” (1/60th) on the Diana to make the correct exposure for each situation AND it becomes part of your camera (see photo) so there is no way to lose it or forget to put it in your bag… Oh, and did I forget to mention that it is really cheap? Christmas is coming, people!

For more information please visit www.shootdiana.com

or just click here.

Diana F+ Exposure Guide AND We’re Over 100,000!

First I’d like to announce that as of today- November 19, 2008- the Figital Revolution has had over 100,000 hits… Hot damn! Viva la revolution!!!!

Of course, while we are up- the DOW was down, waaay down. This might put a damper on anyone’s good cheer, particularly anyone considering retiring in the next decade, SO- I decided to brighten things up a bit and release a FREE Exposure Guide for the Diana+ and F+ cameras. Hey- these days something’s got to be free, right? The direct link is here:

FREE Diana+ and F+ Exposure Chart

Diana F+ Exposure Chart FrontJust add it to your cart (it really is free don’t worry) and checkout and you will receive an email with download instructions within a few minutes.

Viva la Revolution-
Stephen

New Digital Paper Review, Canson and Hahnemuhle

AudioBlog Logo

As promised here are my paper tests/ review for the new offerings by Canson and Hahnemuhle. This audio review covers the following papers:

  • Canson: Arches Platine, BFK Rives, Arches Aquarelle Rag
  • Hahnemuhle: Bamboo 290 GSM.

Give a listen and then try some of these papers and determine what you like.

Viva la Revolution-
Stephen

Note: More tests to follow in the coming weeks…stay tuned!

Poll question: What is your favorite paper? Please note I have left out the Arches Platine as it is not currently available for purchase and the poll below is for Matt surface papers only. If your favorite paper is not listed please just click other and then type it in! I have listed what I feel is a good sample of true fine art papers…your vote counts! (You can vote for more than one.)