End the Limited Edition Maddness

Given the controversy regarding the recent Eggleston reprints and the resulting lawsuit I feel it is worth stating again… make one artwork and move on!

Reference Articles:

http://www.theartnewspaper.com/articles/Court-dismisses-lawsuit-over-Eggleston-reprints-/29285

and my thoughts from 2009 are still true today….

https://figitalrevolution.com/2009/09/16/make-one-and-be-done/

Viva la Revolution- Stephen

UPDATE 4.2.2013….

To hear and argument to making unlimited prints click here: http://theonlinephotographer.typepad.com/the_online_photographer/2013/04/limited-edition-photographs.html

I for one find so many issues with this article  and its suggestions that I dont know where to begin….. in the end do what you want but in the days of endless disposable images less is more!

Stephen Schaub – Artist Talk Rutland, VT. May 14, 2013

Leaping Outside The Box: Reimagining Photography by Stephen Schaub

Rutland, Chaffee Art Center – 7 p.m., Chaffee Downtown, 75 Merchants Row, (802) 775-0356

•••••••

Photography is dead… at least the photography that has existed since Joseph Necephore Niepce made his first exposure in 1826; the same photography that led so many into the darkroom of trays and chemistry; the same photography that our grandparents used to produce endless carousels of slide shows on Kodachrome.
So what is next? Photography has always been in the throes of change and evolution since its inception and this transformative, gut-wrenching period is no different. Photography- as our collective nostalgic memory remembers it-is dead. The future promises to expand our definition of what a photograph will be.
•••••••
Viva la Revolution– Stephen
For more information on the full text above please visit: www.ichoosefilm.com

Goodnight Kodachrome: 1935-2010

Click on the audio play button to listen to this bed time story read by Eve  Schaub… but first be sure to get a glass of warm milk. Today is the last day to get Kodachrome processed.

Goodnight Kodachrome


In the big yellow room

There was a camera

and a classic film

and a picture of Paul Simon jumping over the moon.


Goodnight Kodachrome

Goodnight moon

Goodnight slide show in the living room


Goodnight 25

Goodnight 64

Goodnight dynamic range eight stops more


Goodnight Dwayne’s

Goodnight flare

Goodnight little Afghan girl’s haunting stare


Goodnight mail order

Goodnight rush

And goodnight to Steve McCurry whispering “hush”


Goodnight plastic carousel

Goodnight transparencies rare

Goodnight glorious old color film… everywhere.


–“Goodnight Moon,” original text by Margaret Wise Brown

–”GoodNight Kodachrome,” text by Eve O. Schaub and Stephen Schaub, Copyright 2010

New Kodak Portra 400 Review Part 4: Conclusion.


New Kodak Portra 400

Click on the audio play button to listen to my final thoughts on this new film offering by Kodak.

Viva la Revolution- Stephen

New Kodak Porta 400 Review Part 1

As promised my review of the NEW Kodak Portra 400 speed film. Click on the audio button to listen to Part 1.

Technical Info on sample images below:

  • New Kodak Portra 400, 35mm.
  • Scanned on an Imacon Scanner, no sharpening applied
  • Photoshop adjustments basic to include levels and spotting.
New Kodak Portra 400, EI 400. Click for a larger image.
New Kodak Porta 400, EI 400. Click for a larger image.
New Kodak Porta 400, EI 400. 5"x 5" crop from 20" x 30".

Also here is a recent artwork of mine made using the Kodak Porta 400 and the Overlapping Frame Panoramic Technique I outlined here some time ago… but now with a tweak!… Print size up to 32″ x 90″!

Cape Cod, 2010. Copyright Stephen Schaub 2010

Viva la Revolution- Stephen

PhotoPlus 2010 Review and Why I Shoot Film Part 2

Click on the Audio link to listen to a review of PhotoPlus Expo 2010 as well as Part 2 in my series Why I Shoot Film!

Viva la Revolution- Stephen

Stuff On Display at Expo…

PhotoPlus Expo 2010... Models??
Listening to the Photo Evangelists

A Few of my Favorite Films

AudioBlog LogoClick on the audio logo to listen to this 10 minute discussion on my favorite films both black and white and color and which developer combo I use at Indian Hill Imageworks for the vast majority of my artworks.