Fuji Acros 100 in Diafine Developer


This is a test in progress post but I feel really good (and excited) about my results so far and wanted to share…

Here is a difficult test image (huge dynamic range) shot with 35mm Acros 100 (Diafine EI 200) with my Leica M7 and a 50mm F1.4 Sumilux at F8.

The processing is very different than suggested on the box or in previous posts- I will be posting the developing “how to” after this weekend as I want to run just one more test. The full size image which was scanned at Indian Hill Imageworks on our Imacon at 6300 dpi, fluid mount, 16 Bit is 24.5″ x 16.2″ (optical resolution). The crop image is a 2.5″ x 2.5″ section of this larger file…do you see the bent nail?! The large file link at the bottom will download a scaled down version (Approx 10″ x 6″ @ 360, 8 Bit) so say around 8MB uncompressed (best for high speed users only) will give you an idea of what is possible with the incredible combo…the full file (98MB)┬áis amazing.


More in a few days.

Viva la Revolution.

Stephen Schaub

Large File LINK

Another Week Goes Bye!

It’s been an exciting week here in Vermont…I have been testing a new (new to me) film by Fuji (Acros 100, 120mm) in PMK developer for purposes of scanning and the results have been outstanding! And if the almost-not-there grain and beautiful creamy highlights are not enough for you consider the amazing reciprocity failure (or lack of it) this film has…no compensation necessary for long exposures until 120 seconds (2 minutes to most of us)… and no development change to boot. WOW! I will post examples in a few days but for now go order this film so we can keep it in production! No really, go buy this film NOW!

Almost forgot to mention that the packaging and handing of this film is really sweet…no band to lick thanks to Fuji’s peal-off sealer on 120mm film…very cul, very Japanese.