Keeping Film Alive – Martin Scorese

“Everything we do in HD is an effort to recreate the look of film. Film, even now, offers a richer visual palette than HD. And, we have to remember that film is still the best and only time-proven way to preserve movies. We have no assurance that digital informaton will last, but we know that film will, if properly stored and cared for.”

-Martin Scorsese

– See more at: http://www.studiodaily.com/2014/08/martin-scorsese-supports-kodaks-continued-production-of-film-stock/#sthash.BjtV3Z65.dpuf

Color Negative film for B&W Hybrid Workflow

TESTS400
400 Film Tests
Portra400BWConversion
Portra 400 as B&W

Click on the audio play button to hear my thoughts.

Viva la Revolution- Stephen

The Fearless Leader Schaub 2014
The Fearless Leader
Schaub 2014

Rollei Retro 400s Film Review

Click on play button to listen to the review:

Images: click on each to view larger….

SchaubTest400sEI400Diafine4_4

Schaub400sTesting

Film Data Sheet: Click Here

additional reading: www.martinzimelka.com/pages/Rollei_Retro400s.html

Viva la Revolution- Stephen

 

Cine Still Film Review

Cine Film

 

 

 

 

Click on the play button to here my quick review of this film.

From the FAQ page at CineStill Film

Use CineStill 800Tungsten when photographing:
   – tungsten/incandescent light
   – candle light
   – fluorescent light
   – mixed tungsten and fluorescent
   – mixed tungsten and limited daylight

Avoid using CineStill 800Tungsten (or expect a unique look) when photographing:
   – open shade
   – cool light
   – daylight overpowering tungsten
   – heavily backlit images
   – strong window light
   – content including intense points of light (christmas lights, chandeliers, neon signs, bright windows)    

Here is a difficult test shot I did… I was quite impressed and this is pushed to EI 3200!!!!!! Max usable EI in my opinion is around 6400 with a 2 stop push….

800T_CineStillFilmTEST_Schaub2014_3200

Back to Paris… Again

So I am heading back to Paris tomorrow provided I can make it to Boston to get my flight!

Paris Bound

On my last trip to Paris 5 weeks ago I shot with the Leica Monochrome exclusively…. on this trip it will be my Leica M4 film cameras exclusively! Hint… my next big article here on FR.

I have also been testing a lot of film and developer combinations the last 5 weeks… a lot! I really like the Bergger BRF 400+ in Caffenol CL and Caffenol CH with EI in CL out to 3200+. Rodinal provides a very crisp negative and Xtol is another good choice at 1:1. Another film I have been testing a lot is Delta 3200 processed in PMK double strength… nice range of tones and usable out to 6400 and perhaps 12,800 with proper shadow metering. Today I am running a test looking at the Delta 3200 in PMK with 1.5 strength as at double the highlights get a bit hot at lower EI’s… I want it all- 400-6400!!!!!! Stay tuned!

Oh and the Bergger BRF400+ in PMK is around 200-400 with a beautiful tonal quality. I have heard many people compare the Bergger  to Tri-X… Yes, but only if you are talking Tri-X from the 1970’s and even then it is more like XX than TX. It is very low contrast film which is a good thing for scanning and has a softer rendering then most modern films… perfect for a classic look. In Diafine it is nice but the grain needs a bit of a kick in PS with some structure and a “S” curve to add depth- in Diafine a usable EI of 1600 is not a problem.

Viva la Revolution- Stephen

News From Kodak on Film Production Materials

Kodak

So in case you missed  the hysteria: Kodak is no longer going to make acetate which is a base material for most roll films… HOWEVER!! this does not mean the end of film for Kodak. Kodak reportedly has several years worth of  material on hand, their sheet films are on ESTAR base material- which they still produce- and they are looking for additional vendors to fill their acetate needs when their supply runs does out… again not for several years. This is really not as big a deal as some would suggest. Other sources of acetate exist- there will be a lot more news like this in the coming years from all current film makers, so we as film shooters need to take it in stride and not freak out – yet! For now just go shoot some freaking film!

Link to article:

http://motion.kodak.com/motion/About/The_Storyboard/4294971668/index.htm

Viva la Revolution- Stephen

A Leica Worth Showcasing

I am sure many of you are as disappointed in the new Leica introduced today as I am…. the Leica X Vario. This coupled with the M 240 which I am NOT a fan of makes me think Leica needs a swift kick to get back into the game. A note to Leica… do not try to compete with Fuji or Canon or Sony as you can not… Instead, do what you do best and make cameras like the M9P and my MP a la carte. Anything else is just a waste of time.

Now to put a smile on your face (well, it did mine!)… here is my newest camera with some fun additions…. a black paint Leica MP a la carte with my PinZonie 28mm pinhole lens as well as a 18mm pinhole lens in the Leica Lens Holder M on the bottom and the very cool Leica Universal Viewfinder – The Frankenfinder!! (covers 16mm-28mm with a brilliant clear view and also has parallax correction for close up distances which is sooo nice… for me the perfect walk around camera!

Schaub Leica June 2013

Viva la Revolution- Stephen

Emulation – Film Is Still King

Please click on the audio play button below to listen to a 3 minute discussion why digital emulation “proves” that film is still king!