This audio blog focuses on a proposed French law that would require all Photoshop manipulated images of a person to carry a warning label- give a listen. One quick note, in the audio I say that taking two aspirins and eating a banana on one foot will make you 6 inches taller… I meant to say will not. Link to Article on French Law:
In this audioblog I present a philosophy of scanning film based on the understanding that in the end photographers make prints and our entire process from film capture to scan to Photoshop to printer is all based on making prints. I outline in detail techniques and settings which will apply to most scanners and will help you get the most of your film and scanner combination. This is a very long audioblog- 27 minutes- and as such have paper and pencil ready, as you won’t want to listen to my voice for this long twice!
Full Process Example Image
Yellow Spring, Vermont. 2009
This recent artwork of mine is a good example of the process outlined in the audioblog. I started with Kodak Ektar 100 film (35mm)- I’ve tested this film and understand how to get the most out of it in a variety of different lighting situations. The camera was my Leica M7 with a 28mm Zone Plate, and the image was made using my Overlapping Frame Panoramic Technique outlined here on FR. After processing (C41) the negative was scanned dry on my Imacon at 4000 optical dpi, 16 bit as an RGB positive, with miminal sharpening and dust removal. All other editing and contrast adjustments were done in Photoshop. My chosen Photoshop color working space as well as the scanning color space?sRGB. Final thought
Knowing the real limits of your workflow, technology and skill level and having a clear understanding/ feeling for your visualized final print helps make the entire process a very fluid and creative endeavour. Test first and remember: experimentation is key!
I’ve completed my inital testing of Fuji 800Z with the 28mm Zone Plate on my M7… I like the results but I can tell you that getting a good negative/ scan that has decent contrast and PS techniques to keep shadow and highlight detail and enhance local contrast ain’t no small thing! I wish I could find some faster color negative material that that still had good color but it seems that Pro 800 and 800Z are my best bets for now. One thing I really love about the BW images is how the very nature of a black and white image abstracts in a way the color does not and I think this works very well with these images. Thoughts?
The sixth installment of the One Minute Rant. Each audio is one minute or less and focuses on a very specific topic to engage readers here on the FR to comment and start a dialogue! Just click on the RANT logo to listen.
Everything I post here on the Figital Revolution is- in one way or another- part of a test I am running for my own Artworks, or for a client at Indian Hill Imageworks. Over the last few months I have been testing the Olympus XA, the LOMO LCA, the Olympus XA 4, Kodak Ektar 100, alternative printing paper, perfecting my carry solution (BBB) and new methods for hanging artwork. Now it is time to put everything into action! I am leaving for Italy in a few days (note the Italian Flag) and all of the works and testing will finally get full use. Below is a new image I just made called Winter Leaves, Vermont. 2009. It is made using the Olympus XA 4 using an in-camera multi exposure, overlapping-negative technique I have been refining for the last few months. The film: Kodak Ektar 100…I am taking 40 rolls of it with me to Italy! The paper/ image: printed on an uncoated sheet of Arches Rough 22″ x 30″, 640 gsm as a d’Vinci Print (12 color).
Note: I am about to test a similar style paper with some different sizing properties made by Fabriano… since my new artworks will be from Italy it only seemed right to look at Italian paper. Hey, they’ve been making paper for over 700 years… they have to be doing something right!
Winter Leaves, Vermont. 2009
Edition size: One
Image Size: 25″ x 9″
Paper Size: 22″ x 30″
Copyright Stephen M. Schaub 2009
Finally, I will be working on additional articles while traveling so get ready for new and exciting things here on FR once I return.
Yesterday was a VERY long day back and forth from Vermont to NYC for Photo Expo Plus… but it was well worth it. In the coming days I will be reviewing some of the products that intrigued and impressed me, as well as additional articles on those that DID NOT!
Upcoming articles will include:
Canson Papers….Canson has just released many beautiful fine art paper (18 I think) for the purposes of Inkjet printing. Two that really look amazing are Rives BFK and Arches Platine- both coated for inkjet!!…I will be testing both of these and more in the coming weeks so stay tuned.
Hahnemule Papers….Several new papers and upgrades are in the works for this paper maker (hush hush) so I will post articles and results in the coming weeks.
Kodak….I FINALLY got my hands on some of the new Kodak Ektar film and had a great conversation with Scott DiSabato (Marketing Manger Kodak Professional Films). Based on this conversation and sample prints which were available I feel that this film is definitely worth looking at! I will start my testing TODAY so again stay tuned!
I also had a chance to look at many new camera systems and lens options as well as other photographic accessories…it is going to be a busy month! Stay tuned!
It was also great meeting FR readers yesterday and having the opportunity to talk with and in some cases look at your works!
Viva la Revolution!
On a final note: when in NYC try dinner at Artisanal (www.artisanalbistro.com)…the Parmesan Gnocchi slow-cooked in Pork Belly and root Vegetables was, how you say… AMAZING!!!
I hear this term used alot nowadays… “I’m a purist” or “I never manipulate my images as I want the pure photographic image” – give me a break! This audio blog explores this concept and the damages it is causing to photographers everywhere. Give it a listen. By Stephen Schaub
Recorded in response to an article on the Luminous Landscape website by Bernard Languillier which raises many questions, among them: doespaper matter? Are paper’s days numbered? Should we paper-huggers, in fact, all just hang it up and go home in the face of a brave-new-world of LCD and Plasma screens?
The Mega-Pixel wars are still hot with the introduction of Hasselblad’s new 50MP Digital Back (H3DII-50) and Phase One’s new 60MP Digital Back (P65+)…but, really, who is the market for these new bleeding-edge systems? Does anyone really need 60MP? Can anyone besides my dentist really afford it? Click on the audio logo for more! By Stephen Schaub.