CineStill BwXX is Now in 120!!

Please click on the audio play button above for a 6 minute review of this amazing film now in 120 for the first time ever. Sample images below!

Features:

• Black and white negative film

• Variable speed (ISO 200-800) I’ve pushed to 1600 with very good results, but the sweet spot is around 400.

• 120 format!!!!!!!!!!!!

• Classic cinematic look

• Rich tonality

• Excellent sharpness 

One of a kind camera meets one of a kind film!

EveNSteve like this film so much we’ve already made an artwork using it. Click on the movie below to watch the one minute artwork film by EveNSteve:

There Are Forests In The Animals

Sample images!!!

As I mentioned in the audio above I really wanted to showcase the cinematic feeling this film has, but also show the creative flexibility that is possible. This is not a modern film, and that is a very good thing!

A few sample images below showing the packaging which is of very high quality and a little bit of camera porn….

In conclusion I think the images speak for themselves. How wonderful in 2021 to be welcoming a “new” B&W film to our world… 

Viva la Revolution-

Steve

PS— Processing Times in a variety of developers….

https://cinestillfilm.com/pages/bwxx-dev-times

One Week One Book

We are very excited to announce the release of the “One Week One Book” series! Check out the link and information below— perfect for art book lovers everywhere! (Are you thinking X-mas? I’m thinking X-mas)

PURCHASE THE FULL SET OF BOOKS HERE

“One Week One Book” series by Stephen Schaub

DETAILS: 12 Books. Each: 8″x9″ | perfect-bound | 2020

INDIVIDUAL BOOKS AVAILABLE HERE

FULL PRESS RELEASE | AVAILABLE IMAGES

Kasini House is pleased to announce a series of photographic art books by Stephen Schaub entitled “One Week One Book”. Each book contains dozens of photographs that explore a single theme, and begins with a short introduction written by Schaub’s wife and creative partner, noted author Eve O. Schaub, as well as a quotation selected from the likes of Kurt Vonnegut, Victor Hugo and Wallis Simpson, each speaking to the topic at hand.

Anthropologic, quirky and sometimes voyeuristic, the books look at wide-ranging subjects, from portraits of the backs of people’s heads, to still-lives depicting the contents of their refrigerators. While one book documents the last remaining phone booths in New York City, another compares the “Aisle Three” of every store from Wal-Mart to the local country store.

The title of the series, “One Week One Book”, is both a statement of artist intention and call to action for the reader. Schaub challenged himself to make a photographic essay on a single subject, and turn it into a book, every week for twelve weeks. 

“We live in a world where photographs are copious and ubiquitous, so commonplace that they often go unseen or are misunderstood,” said publisher Ric Kasini Kadour. “The photographic essays in Schaub’s ‘One Week One Book’ invite us to contemplate the nature of images in our world, to take George P. Elliott’s advice about looking at Dorothea Lange’s photographs and ‘extricate yourself from the madding mob of quick impressions ceaselessly battering us all our lives, and look thoughtfully at a quiet image.’ (1) My hope in publishing this series is that people will see it as an opportunity to fall in love with the poetry of photography.” 

Stephen Schaub is an artist and a Marine Corps Veteran. After receiving his BFA from the Rochester Institute of Technology, he founded FigitalRevolution.com and published two collections of his work (A Sense of Place, 1999, and Through A Glass Darkly, 2004). He is well-respected in the industry as a leader in the field of hybrid photographic film technologies and innovative printing techniques. His work has been exhibited in Asia and Europe as well as throughout the United States. 

The twelve titles in the “One Week One Book” series are available individually, or as a complete set. The complete set comes with a bonus ‘zine, What Good Is a Photograph?, which contains an essay by Ric Kasini Kadour and a curated selection of documentary photographs. 

The Cool Zone

Ric Kasini Kadour is a writer, artist, and culture worker and the the Editor and Publisher of Kolaj, a quarterly, printed, art magazine reviewing and surveying contemporary collage with an international perspective.

Eve and I (EveNSteve) are very excited to share this article by Ric Kasini Kadour which was first published in issue #29 of Kolaj Magazine and now on featured on Medium. Our artwork My Phantom Cat is featured in the article.

View at Medium.com

I think this is a very well written and powerfully insightful article on the importance of the now and what we make of it as artists.

Viva la Revolution- Steve

 

 

Testing Fomapan 100

My final test of Fomapan 100 by Film Bohemia of the Czech Republic. A beautiful classic film that in a compensating developer has a tremendous latitude from EI 100 – 1600+ — this example is at EI 800— amazing classic rendering that was very easy to scan. Shot with my Linhof 617s III Technorama with a Schneider 72XL lens. @linhof_munich @linhofstudio @schneiderkreuznachcine @foma_cz #film #filmisnotdead #blackandwhitephotography #panoramic #portrait #vintage #classic #apron #hammock #vermont #summer #summerlight