Fuji Instax Wide- Good Glass Matters

Good glass always matters, but when you only have 10 LPM to work with, it matters a lot… that is if you are looking for “sharp” images from instant materials! Below I did a test comparing the Fuji 500AF to a converted Polaroid 110B with an Instax wide back… as you can see, the difference is HUGE! The 110B has better sharpness and better color, or at least more accurate color, which is to be expected as the 127mm Rodenstock lens on that camera is quite amazing.

FullSizeRender (3)
Fuji 500AF – Polaroid 110B Fuji Instax Wide Conversion

Advantages to the 110B

  • Total manual exposure control
  • Multiple exposure and pre-exposure capabilities
  • F 4.5 – F90
  • Cable release option
  • “Accurate” rangefinder focusing (manual focus only)
  • Build quality but comes at the cost of size and weight
  • No batteries required

Advantages to the Fuji 500AF

  • Fast shoot time
  • Lighter weight
  • AF but that also has its issues in low light
  • Built in Flash

In conclusion… both cameras are quite nice and represent a real creative option to shooters looking for “sharp” Fuji Instax wide images. When holding the physical instant prints in your hand, both instant images seem quite sharp. But the Polaroid 110B has a lot more pop and under magnification it becomes quite clear which camera is sharper, so if your intentions are to scan and enlarge the image this should be part of your consideration.

One final note on the test shot: I did 5 images with the Fuji 500AF and chose the sharpest one- as with AF there is always the possibility of the camera picking the wrong point of focus. The 110B was spot on with just one shot. I also chose F8 as the Fuji would default to that setting due to the lower light level.

 

Now Free! Figital Revolution Manifesto PDF Download

In celebration the revolution’s ten year anniversary, I have decided to post the Figital Revolution Manifesto book as a free PDF download. (The print copy is no longer available for purchase online.) Written in 2007 and admittedly snarky and over the top, I am struck by the fact that, despite so many changes in the industry, the book is entirely still relevant today! I want to thank my wife, Eve Ogden Schaub as my co-author… she has moved onto bigger projects like her book Year of No Sugar which went viral… and her next book is due out in January 2017 so stay tuned.

Book Link:

TheFigitalRevolution

Viva la Revolution-

Stephen

 

Does Impossible Project Instant Film Need Light Shielding?

As I have stated in previous articles, all Impossible Project instant films need to be shielded from light during processing/ development. This is especially important for the first few minutes, but the longer you can keep the print out of the light while it develops, the better. The new V2.0 B&W films both SX-70 and 600 are said not to need light shielding but as you can see from the attached sample photos this is not exactly true— the film is getting better but still not 100%. The sacrifice of contrast, density and sharpness when not shielded is crazy and it gets worse the brighter the light is.

The image on the left was shielded where as the image on the right was not… big difference!

With color film you have to shield the image for 30-40 minutes minimum and process at 65-75F for best results!

Making instant film is a very, very complicated process and I am confident that given time these films will become more user friendly and cost effective.

Viva la Revolution- Steve

3 Color Instant Films Compared: Impossible 600 Color, Fuji Instax Wide and Fuji FP-100C

So a quick test looking at Fuji 100C, Fuji Instax Wide and Impossible Color 600 (newest version). All images were shot on a tripod within minutes of each other. Click on the audio button to here my thoughts and the testing procedures…

Viva la Revolution- Steve

FUJI Instax Wide Data Sheet

FUJI FP-100C Data Sheet

LOMO Instant Wide Review

Review of the new LOMO Instant Wide and a comparison to the cult classic Fuji Instax 500AF. This is the first in a multi part series on instant materials and cameras…

Sample Pictures: I chose a difficult mixed lighting situation to show the contrast range of the material and low enough light that the camera would choose F8. My focus with the LOMO is much better than using the default settings because of my focusing scale (see below) and even then it is not as crisp as the Fuji 500AF. All shots were on a tripod for maximum stability.

Note on changing film… I discovered that you can not change the film while on the tripod with the LOMO camera due to the tripod socket placement, on the Fuji 500AF you can change film while the camera is on the tripod.

One correction from the video… I mention that Instax Wide film is approximately $18 for 10 shots, that of course is the price for 20 shots. Also, I purchased both cameras used in this review and all reviews here on FR.

Viva la Revolution- Stephen

 

 

BERGGER Introducing New Black and White Sheet Film

This was a pleasant surprise in my email yesterday from Linhof Studio. While in Paris last winter I had discussed the possibility of seeing Bergger films in more sizes with the owners… so awesome to see it has happened. Now to get some in my hands for testing!!!

Bergger Film 4x5

Viva la Revolution- Stephen

My review BRF 400 35mm here on FR

 

Farm to Table = Film to Camera

Click on the audio button to hear my post on how changing the distribution model for film is key to the sustainable future of analog photography.

Viva la Revolution- Stephen

AERO-Liberator Camera

Stay tuned for a blast of posts on all things LF. I am very excited to get this camera tomorrow.

Viva la Revolution- Stephen