Ever wonder why or how to start a photographic project? Many photographers I know shoot and shoot with the idea that at some point they will edit and a project or maybe even a book will appear!…the tooth fairy may also appear but don’t bet on it. In this audioblog I outline my method for starting a new photographic project along with specific project examples. Give a listen!
Author: EveNSteve
The Figital Revolution at 70,000!
That’s right…since the dynamic launch of the new Figital Revolution web site back in December of 2007 till NOW, September 4, 2008 we’ve had over 70,000 hits!
Viva La Revolution!
The Photographic Purist
Processing Color Film in Diafine Developer
I’ve read mixed reviews about this concept online so I decided I needed to try it myself. I chose Ilford XP2 Super and Kodak BW400CN, both in 35mm as test films. My results were mixed…the Ilford out-performed in my opinion the Kodak (with regards to tonal range as the Kodak was much harsher) but was anything gained over say TX or 125PX in Diafine?…you be the judge. I will say that the look of a print made using this technique is different and in some cases could be used in a very creative way. The test image was shot with a LOMO LCA+ with the Ilford XP2 Super rated at EI 200. Be sure to click on both images to see them at a larger size.
Tech Notes:
- EI Range for full expressive negatives: 100 – 200
- Diafine Developer at 80F!!!!
- Part A for 5 Minutes with two inversions at the start of each minute.
- Part B for 5 Minutes with two inversions at the start of each minute.
- Wash for 2 Minutes
- Fix: 5 Minutes or package suggestion.
- Wash 5 Minutes
- Perma Wash: 2 Minutes or package suggestion.
- Final Wash, LFN and Dry!
I have also found that these negatives scan really nicely using most generic gray scanner profiles and the grain is there but acceptable for a process such as this. Give it a try!

Viva la Revolution!!!!
Final Note: The LOMO LCA+ is a Zone Focus camera and as such comparing the sharpness to say a Leica is a real mismatch…but the LOMO has an amazing quality all its own!
The Rumors of Paper’s Death Are Greatly Exaggerated
Recorded in response to an article on the Luminous Landscape website by Bernard Languillier which raises many questions, among them: does paper matter? Are paper’s days numbered? Should we paper-huggers, in fact, all just hang it up and go home in the face of a brave-new-world of LCD and Plasma screens?
Not necessarily… give a listen.
Link to Article on Luminous Landscape: http://www.luminous-landscape.com/essays/disembodiment.shtml
The Nightmare Print
Every photographer has his or her own “nightmare” print story- some more than one! In this audio blog I discuss how I (Stephen Schaub) work through a nightmare print at Indian Hill Imageworks- give a listen!
Hariku Paper, “Cloud Dragon Paper”, as mentioned in the audioblog as well as the “Nightmare” Print.
Scott Bridge, The Hexomniscope and Diafine Developer

I’ve written extensively on this web site about the qualities of Diafine Developer and different Black and White films for the purposes of scanning. Here is an example of Fuji Acros 100 (EI 160, 120MM) shot with my Hexomniscope Pinhole Camera by Abelson Scope Works and processed in Diafine Developer….did I mention that the exposure was F205 at 37 Minutes?! The final print size is 28″ x 90″ and is printing as I type!
Viva la Revolution
Why Take Notes?- Exposure Data Sheets & More!
Pocohontas Meets Matt Abelson and Stephen Schaub

Listen to this exciting interview with Matt Abelson of Abelson Scope Works as he talks about his Pinhole Camera Systems(Hexomniscope, Omniscope and Pinhole Turret). Interview by Stephen Schaub.

Viva la Revolution!!
Custom Camera Accessories and Conversions

Many of the camera systems I have used over the last 2+ decades have been either custom made or modifications to older systems to “fit” newer capture devices. If the option of custom lens mounts, custom lens caps and complete from the ground up camera systems is new to you then give a listen to this audio blog (click on the AUDIO logo) recorded December 2007 with Adam Dau of S.K. Grimes.
I have also posted (below) an image of my Hexomniscope Camera by Abelson Scope Works with its newest custom accessories…custom made lens caps (or perhaps I should say Pinhole Caps) and .1 spacer rings to allow different controlled positions for the pinhole made for me by Matt Abelson of Abelson Scope Works. For me and my works the OPTION of custom configurations and accessories is essential as I find the out of the box systems and accessories most companies offer miss the mark time after time.
Also, stay tuned for an exciting audio interview posted early next week with Matt Abelson of Abelson Scope Works.
Viva la Revolution!!



