Hybrid Artist Stephen M. Schaub summarizes his 2 week photographic excursion in Puerto Rico with suggestions and real world shooting solutions for the working photographer. Upcoming related audioblogs will include: film tests for the new Kodak TMY-2 (TMAX 400) and The Y Strap User Report.
Next On The Revolution!
During the next two weeks I will be photographing in the rainforest of Puerto Rico and surrounding areas. During this time I will be testing the new Kodak TMAX 400 (35mm) film and plan on a full report upon my return. Initial testing done by me at Indian Hill Imageworks indicates that this may be my new favorite film (best 400 speed I’ve ever seen)…amazing grain (almost as good as most 100 speed films) with a huge tonal range. Stay tuned!
Viva La Revolution!!
The Real Story On Digital Permanence
A Digital Point And Shoot Camera for Photographers?
Rarely do I get excited about new cameras (let alone another digital point and shoot camera) introduced to our already-flooded medium, but a new offering by Sigma (DP1) needs to highlighted. I have been watching the development of this camera for over a year now and it seems that Sigma will now have it (DP1) out by Spring 2008…early Xmas anyone? For more information click here.
Meter Matters – Building a Knowledge Base for Proper Exposure.

The Stupid Things Photographers Say: Part Two- I Will Never Print On Canvas
1. Think that Canvas is not photographic?
2. Have the IQ of an ant?
3. Don’t understand what “photographic” means and thus have the IQ of an ant?
Give a listen to this audioblog by hybrid artist Stephen M. Schaub and release yourself from the tyrannical limits of your output media…
The Stupid Things Photographers Say: Part One- Cropping is for Pussies.
Sometimes Change is Good!
I’ve mentioned here and also in the Figital Revolution Manifesto (book) about the evils of re-branded photographic supplies (film/ paper/ etc…) but maybe things are about to change… and change can be good! Crane Museo Paper (Max and Portfolio Rag) have been acquired by Intelicoat (who by the way did the coating on these papers anyways) so what does this mean? First these great papers will still be made (and yes I did say great) and sold but now under Intelicoat (Crane will still supply the base paper of course). IMHO our industry needs more of this transparency as to who really makes or at least who is involved in the production of the products we all use. I would be very upset (pissed) to find out that several papers I just bought were all the same paper just with different names…this is not as far fetched as it seems. For now I will just be happy that one of my favorite papers will continue to be made…now if I could just figure out how to make some of my favorite films survive the coming decades that would be truly amazing. For more information on this Intelicoat deal click on the link:

