I’ve mentioned here and also in the Figital Revolution Manifesto (book) about the evils of re-branded photographic supplies (film/ paper/ etc…) but maybe things are about to change… and change can be good! Crane Museo Paper (Max and Portfolio Rag) have been acquired by Intelicoat (who by the way did the coating on these papers anyways) so what does this mean? First these great papers will still be made (and yes I did say great) and sold but now under Intelicoat (Crane will still supply the base paper of course). IMHO our industry needs more of this transparency as to who really makes or at least who is involved in the production of the products we all use. I would be very upset (pissed) to find out that several papers I just bought were all the same paper just with different names…this is not as far fetched as it seems. For now I will just be happy that one of my favorite papers will continue to be made…now if I could just figure out how to make some of my favorite films survive the coming decades that would be truly amazing. For more information on this Intelicoat deal click on the link:
This in-depth audioblog (almost 20 minutes) provides a great foundation on the four basic types of output material (gloss, matt, canvas and alternative media) as well as examples on organizing your paper (media) and workflow considerations for selecting a specific media for a particular artwork. By Stephen M. Schaub Hybrid Artists and master printer.