You Have Nothing To Fear But Film Itself

Ok, total crap move by Nikon!  Who’s afraid of the quality of film cutting into their digital sales?… apparently Nikon is.

Considering the vast history of amazing images made with Nikon film cameras this strikes me as nothing more than a money grab… and yeah, photo contests like this suck anyways.

http://www.nphotomag.com/2012/10/29/nikon-photo-contest-bans-images-from-film-cameras/

Viva la Revolution-

Stephen

Super-Size Me! What’s Up with Big Digital SLRs?

Is it just me or are cameras getting really big…I mean SUV big? Have you also noticed your aunt Minnie now carries one of these beasts for her casual pictures of roses and nephew Timmy? So… what gives? Click on the audio logo for a 6 minute thought-provoking discussion on the enigma by Stephen Schaub.

Focus: How To and Should You!

I, for one, feel that focus is highly over-rated. As a matter of fact- for almost 2 years I would argue that none of my images were “in focus” or at least not sharp. Did that make them less photographic or less of an Artwork?

No.

Focus is just one element of an image and not the most important by any means. I often find the bokeh (or the out-of-focus qualities) of an image much more engaging than an image with sharpness throughout.

All of this being said- how do you focus a camera to ensure the exact point or plan of focus that you have chosen is sharp? Easy! Just follow these 4 steps:

1. Turn off the F$#cking auto focus.
2. Turn your lens to the point of focus and then just beyond.
3. Now turn your lens back in the opposite direction and just past the point that appears sharp.
4. Now turn your lens back to the point of focus.

By focusing back and forth and with each pass closing in tighter and tighter to your chosen point of focus it allows you to see just exactly where the point of focus is and what it looks like just before and just after. This technique is really quite fast and will ensure the best possible focus…something which is really important when you are working with a fast lens say at f2.0 – there is no margin for error with a depth of field that shallow.

And one final tip…use good glass!