I’ve mentioned here and also in the Figital Revolution Manifesto (book) about the evils of re-branded photographic supplies (film/ paper/ etc…) but maybe things are about to change… and change can be good! Crane Museo Paper (Max and Portfolio Rag) have been acquired by Intelicoat (who by the way did the coating on these papers anyways) so what does this mean? First these great papers will still be made (and yes I did say great) and sold but now under Intelicoat (Crane will still supply the base paper of course). IMHO our industry needs more of this transparency as to who really makes or at least who is involved in the production of the products we all use. I would be very upset (pissed) to find out that several papers I just bought were all the same paper just with different names…this is not as far fetched as it seems. For now I will just be happy that one of my favorite papers will continue to be made…now if I could just figure out how to make some of my favorite films survive the coming decades that would be truly amazing. For more information on this Intelicoat deal click on the link:
indian hill imageworks
Seek A Second Opinion
Film Grain vs Digital Grain…Thoughts from the Trenches.
Article on Figital Revolution Manifesto
Great Expectations- Thoughts on Selecting The Perfect Paper for Your Prints
Figital Update
Welcome to the new layout for the Figital Revolution. Everything you’ve grown to love is still here and YES the ReEducation Videos are back with more to come very, very soon so stay tuned. Also, I just sent out the first FR newsletter (Viva La Revolution) so be sure to sign-up to get them delivered weekly (FREE and you can unsubscribe at any time). Please note that there is also an RSS feed to the newsletter archive…thanks for the suggestion!
The Real Cost of Working Digital
Lens Selection: In Search of the Goldilocks Lens
Revolutionary Quote for the Day – Sebastiao Salgado
”Before becoming a photographer,” Salgado firmly believes, “it is essential to have an education, an understanding for the world in sociological, political, economic and historical terms. Then there is no limit to the photography. To be a photographer is to be able to transmit a certain understanding of the world.”
Quote taken from the current issue of PDN (The Legends Issue, Jan 08.) Article/ Interview by Peter Hamilton
Self Promotion- What’s the Big Deal?
Do artists suck at self-promotion or what? In this audioblog Stephen Schaub explores several of the excuses and pitfalls that plague artists when it comes to successful self promotion, and details why it really is so important after all. But wait- there’s more! Schaub (Our Leader) explores some workable strategies for artists to maximize their available resources toward a successful art marketing.
