The Revolution will be televised (YouTube!)
• Black and white negative film
• Variable speed (ISO 200-800) I’ve pushed to 1600 with very good results, but the sweet spot is around 400.
• 120 format!!!!!!!!!!!!
• Classic cinematic look
• Rich tonality
• Excellent sharpness
EveNSteve like this film so much we’ve already made an artwork using it. Click on the movie below to watch the one minute artwork film by EveNSteve:
There Are Forests In The Animals
As I mentioned in the audio above I really wanted to showcase the cinematic feeling this film has, but also show the creative flexibility that is possible. This is not a modern film, and that is a very good thing!
A few sample images below showing the packaging which is of very high quality and a little bit of camera porn….
In conclusion I think the images speak for themselves. How wonderful in 2021 to be welcoming a “new” B&W film to our world…
Viva la Revolution-
PS— Processing Times in a variety of developers….
Take a tour of the studio of Eve and Stephen Schaub! In this 13 minute virtual tour we showcase our Monuments to Now outdoor artworks in a Vermont hayfield, discuss our process and feature our collaborative artworks recently seen in such venues as the Bennington Museum and Burlington City Arts.
We are very excited to announce the release of the “One Week One Book” series! Check out the link and information below— perfect for art book lovers everywhere! (Are you thinking X-mas? I’m thinking X-mas)
“One Week One Book” series by Stephen Schaub
DETAILS: 12 Books. Each: 8″x9″ | perfect-bound | 2020
Kasini House is pleased to announce a series of photographic art books by Stephen Schaub entitled “One Week One Book”. Each book contains dozens of photographs that explore a single theme, and begins with a short introduction written by Schaub’s wife and creative partner, noted author Eve O. Schaub, as well as a quotation selected from the likes of Kurt Vonnegut, Victor Hugo and Wallis Simpson, each speaking to the topic at hand.
Anthropologic, quirky and sometimes voyeuristic, the books look at wide-ranging subjects, from portraits of the backs of people’s heads, to still-lives depicting the contents of their refrigerators. While one book documents the last remaining phone booths in New York City, another compares the “Aisle Three” of every store from Wal-Mart to the local country store.
The title of the series, “One Week One Book”, is both a statement of artist intention and call to action for the reader. Schaub challenged himself to make a photographic essay on a single subject, and turn it into a book, every week for twelve weeks.
“We live in a world where photographs are copious and ubiquitous, so commonplace that they often go unseen or are misunderstood,” said publisher Ric Kasini Kadour. “The photographic essays in Schaub’s ‘One Week One Book’ invite us to contemplate the nature of images in our world, to take George P. Elliott’s advice about looking at Dorothea Lange’s photographs and ‘extricate yourself from the madding mob of quick impressions ceaselessly battering us all our lives, and look thoughtfully at a quiet image.’ (1) My hope in publishing this series is that people will see it as an opportunity to fall in love with the poetry of photography.”
Stephen Schaub is an artist and a Marine Corps Veteran. After receiving his BFA from the Rochester Institute of Technology, he founded FigitalRevolution.com and published two collections of his work (A Sense of Place, 1999, and Through A Glass Darkly, 2004). He is well-respected in the industry as a leader in the field of hybrid photographic film technologies and innovative printing techniques. His work has been exhibited in Asia and Europe as well as throughout the United States.
The twelve titles in the “One Week One Book” series are available individually, or as a complete set. The complete set comes with a bonus ‘zine, What Good Is a Photograph?, which contains an essay by Ric Kasini Kadour and a curated selection of documentary photographs.
Eve and I (EveNSteve) are very excited to share this article by Ric Kasini Kadour which was first published in issue #29 of Kolaj Magazine and now on featured on Medium. Our artwork My Phantom Cat is featured in the article.
I think this is a very well written and powerfully insightful article on the importance of the now and what we make of it as artists.
Viva la Revolution- Steve
My final test of Fomapan 100 by Film Bohemia of the Czech Republic. A beautiful classic film that in a compensating developer has a tremendous latitude from EI 100 – 1600+ — this example is at EI 800— amazing classic rendering that was very easy to scan. Shot with my Linhof 617s III Technorama with a Schneider 72XL lens. @linhof_munich @linhofstudio @schneiderkreuznachcine @foma_cz #film #filmisnotdead #blackandwhitephotography #panoramic #portrait #vintage #classic #apron #hammock #vermont #summer #summerlight
I agree with this letter and encourage everyone to read it and to share it.
I do have one concern, trickle down economics never really works. We need to ensure individual artists are supported during this time and not focus exclusively on large institutions which is almost always the case. However, my concern is measured and I agree that without immediate support for the Arts you will see a cascading effect of financial and cultural ruin in the US and beyond. As I always say: support your local artist or you won’t have one.
Be sure to register for KOLAJ LIVE ONLINE today!
Our talk is FREE!
Plagues, Monuments & Going Big with EveNSteve
Saturday, July 25th, 2020. 2PM-EST/11AM-PST
When they were called to quarantine, artists EveNSteve made a six-panel artwork that combines in-camera collage with handwritten texts to explore the idea of plagues in history. As lockdown continued, they began to display art across the street from their home in a roadside hayfield. Kolaj LIVE Online presents a virtual tour of their outdoor art gallery and artist talk about their recent work. The event is also the book launch of A Wonderful Plague. Registered attendees will be sent a link to a 22-minute film about A Wonderful Plague.
MORE INFO & REGISTER
ABOUT KOLAJ LIVE ONLINE
Kolaj LIVE Online is a series of virtual programs in the form of forums, panels, workshops, artist talks, studio visits, and other activities that allow people to come together, learn and talk about collage, and connect in real time to the collage community. Visit the series website at: http://www.kolajinstitute.org/kolaj-live-online/
I was very happy to be asked a few months ago to look at this new E6 process from CineStill and give them my thoughts. After testing for Kodak the new E100 in 120 last year this was indeed an exciting development. (See what I did there? Somewhere right now my wife is rolling her eyes.)
E100 DaylightChrome Developer • Linhof 6×12 with 58mm XL • 120
So what’s unique about this E6 kit? Here are the descriptions from their website:
D9 “DynamicChrome” Warm-Tone Dynamic 1st Developer.
Renders approximately 9+ stops of usable dynamic-range*! Conventional E-6 processing renders approximately 6 stops of usable dynamic-range*. Extended exposure latitude while maintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. High-dynamic-range for warm-tone slides in daylight, shade or with electronic flash.
D6 “DaylightChrome” Neutral-Tone 5500K 1st Developer.
Renders approximately 6+ stops of usable dynamic-range*, with brighter whites and moderately enhanced color saturation, just like conventional E-6 processing. Daylight-balanced 5500K for neutral-tone slides in daylight or with electronic flash.
T6 “TungstenChrome” Cool-Tone 3200K 1st Developer.
Renders approximately 6+ stops of usable dynamic-range* with brighter whites, and moderately enhanced color saturation. Tungsten-balanced 3200K for artificial light or cool-tone E100T slides. Also, works great for push processing in limited light!
I found mixing the chemicals to be easy and processing in my JOBO was a piece of cake. I already run my own C41 in house as well as a myriad of B&W developers.
My biggest advice to anyone who wants to process their own E6: the developer temperature is critical. Keep the developer within 1 degree F or less for best color, contrast and density.
For more information please visit:
In conclusion…. I think CineStill’s new offering is a unique and valued addition to the E-6 processing community. It doesn’t seem so long ago that Ektachrome was discontinued- temporarily as it turned out. But today that tide has turned, and I continue to be excited by the strong and vibrant resurgence of film and film processing options.
Viva la Revolution!-