With the custom SELECTASCOPE option I have the choice of F196 – F32 with a Zone Plate at F45! The varying degree of sharpness and the option of overlaying different levels of sharpness on the same negative through multiple exposure is a creative A-Bomb…. ART Bomb that is!

The Cuboid SELECTASCOPE

Previous articles on the Cuboid:

http://figitalrevolution.com/2010/02/08/the-cuboid-pinhole-camera-pimped-out/

http://figitalrevolution.com/2009/12/18/new-addition-to-the-cuboid/

http://figitalrevolution.com/2009/10/29/the-cuboid-multi-aspect-ratio-pinhole-camera-part-2/

http://figitalrevolution.com/2009/10/22/the-cuboid-pinhole-120-film-camera-abelson-scopeworks-schaub-indianhill/

For those of you who are curious I believe only one Cuboid is left for sale!

Viva la Revolution- Stephen

I believe this issue needs additional clarification from the Photo Industrial Complex… is the damage a result of cumulative exposures? are specific sensors more prone to gamma rays, CCD or CMOS? and at what point can software no longer “fix” dead pixels?… I don’t know the answer as of now (stay tuned) but I am glad that my trip to Italy on Sunday is all film!!

And for the crazy conspiracy theory readers out there: don’t forget that Kodak invented much of the digital technology used today and makes sensors for many camera makers to include Leica and the DOD… so this is not some PR push to sell more film.

Viva la Revolution- Stephen

PS- lots of good info covered in this video!!

Click on the audio play button to listen to this 14 minute discussion on the future of photography by Stephen Schaub.

LINKS:

How Much Longer Can Photographic Film Hold On?

Traditional Camera Film Makes A Come Back

Viva la Revolution- Stephen

Please click on the images below to see larger versions of each.

Indian Hill Imageworks Interior Kodak Portra 160

Eve- Kodak Professional Portra 160- 50" x 71.65" Print!

16" x 20" Crop from a 50" x 71.65" File. WOW!!!

5" x 7" crop from a 50" x 71.65" file... amazing tonality and detail!

First click on the link below and read the article and look at the examples…

http://www.twinlenslife.com/2011/01/digital-vs-film-canon-5d-mark-ii-vs.html

Now here are my thoughts…

1. The film looks fantastic! The latitude is much better and I like the feeling of the film file much more.

2. The test was very good. It would have been even better if the film scan was done on a higher resolution scanner like say an Imacon. This would have also leveled the field a bit as the RAW processing done to the digital file corrects a lot (but apparently not enough) and the film image was stuck with a relatively middle of the road scan on a Fuji Frontier SP-2500. It is a shame that the scanned image had to be upsampled (due to the scanner resolution limitation) as this film has a lot of subtle detail that a higher quality scanner could have showed optically.

3. I would also like to hear their thoughts regarding a side by side print analysis say at 2 or 3 different sizes… the proof is in the print!

4. The digital wins in the high speed test but the film is still quite good.

In the end will this article sway any true blooded digital shooter to consider film…? I don’t think so, as there will be a myriad of excuses on the RAW conversion technique or other BS that really does not matter. It is a good solid test and it confirms once again the many strengths that film and the hybrid workflow provide for the working creative photographer

Viva la Revolution- Stephen

Kodak Portra 400 at EI 100 60 Seconds Pinhole Test

Click on the audio play button to listen to this quick post on reciprocity correction for the New Kodak Portra 400 film. In a nutshell: double and triple everything beyond 1 second and you should be spot on.

Viva la Revolution- Stephen

Click on the audio play button to listen to this bed time story read by Eve  Schaub… but first be sure to get a glass of warm milk. Today is the last day to get Kodachrome processed.

Goodnight Kodachrome

In the big yellow room

There was a camera

and a classic film

and a picture of Paul Simon jumping over the moon.

Goodnight Kodachrome

Goodnight moon

Goodnight slide show in the living room

Goodnight 25

Goodnight 64

Goodnight dynamic range eight stops more

Goodnight Dwayne’s

Goodnight flare

Goodnight little Afghan girl’s haunting stare

Goodnight mail order

Goodnight rush

And goodnight to Steve McCurry whispering “hush”

Goodnight plastic carousel

Goodnight transparencies rare

Goodnight glorious old color film… everywhere.

–”Goodnight Moon,” original text by Margaret Wise Brown

–”GoodNight Kodachrome,” text by Eve O. Schaub and Stephen Schaub, Copyright 2010

Yes Virginia, good cheap film does exist. Click on the audio play button to listen to my thoughts on new approaches and needs for film in this figital / hybrid world.

The test images below are Fuji 400 Superia X-Tra which is a fantastic film and is readidly available at only two bucks (24 exp)… that’s $2 Dollars, 1.51 Euro, 1.28 United Kingdom Pounds, 167.94 Yen… about the price of a cup of coffee!

Fuji 400 Superia X-Tra at EI 200

Fuji 400 Superia X-Tra at EI 100

Fuji 400 Superia X-Tra at EI 200

Fuji 400 Superia X-Tra at EI 1600

And for those of you who want even smoother results here is an example of the portrait of my wife (same file as above) that has been processed through Imagenomic Portraiture Photoshop Plugin at default settings and then faded back to 50%… very nice!

Fuji 400 Superia X-Tra at EI 200, Imagenomic Portraiture at 50%

Voigtlander Ultron 40mm f/2.0 SL-II and Nikon 45mm F2.8P

www.twinlenslife.com

Links to articles on the New Kodak Portra 400 here on FR:

New Kodak Porta 400 Review Part 1

Kodak New Portra 400 Review Part 2: Skin Tones

Kodak New Portra 400 Review Part 3: Usable EI Range

Kodak New Portra 400 Review Part 3a: 3200!

New Kodak Portra 400 Review Part 4: Conclusion.

I have also heard that pushing the film in development for the 6400 is also quite amazing but of course requires special processing which is not available at my film processing lab… CVS or Rite Aid!

Viva la Revolution- Stephen