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	<title>Comments on: Discover X Films! Kodak 125PX in Diafine!</title>
	<atom:link href="http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/feed/" rel="self" type="application/rss+xml" />
	<link>http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/</link>
	<description>A Maverick Manifesto for the 21st Century Photograher</description>
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		<title>By: David</title>
		<link>http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/#comment-304</link>
		<dc:creator><![CDATA[David]]></dc:creator>
		<pubDate>Fri, 22 Aug 2008 23:15:10 +0000</pubDate>
		<guid isPermaLink="false">http://figitalrevolution.wordpress.com/?p=329#comment-304</guid>
		<description><![CDATA[I shoot Delta 100 at ISO80 and develop in Diafine, and I&#039;m pretty happy with the results. I don&#039;t print though--I scan with a Nikon CoolScan 9000ED. No room in my apartment for a wet darkroom, but I can develop in a daylight tank in my kitchen. I go by the box instructions, and my chemical temperatures vary by season and the temperature under my sink, but my results are pretty consistent.]]></description>
		<content:encoded><![CDATA[<p>I shoot Delta 100 at ISO80 and develop in Diafine, and I&#8217;m pretty happy with the results. I don&#8217;t print though&#8211;I scan with a Nikon CoolScan 9000ED. No room in my apartment for a wet darkroom, but I can develop in a daylight tank in my kitchen. I go by the box instructions, and my chemical temperatures vary by season and the temperature under my sink, but my results are pretty consistent.</p>
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		<title>By: Thomas Bertilsson</title>
		<link>http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/#comment-174</link>
		<dc:creator><![CDATA[Thomas Bertilsson]]></dc:creator>
		<pubDate>Sat, 26 Apr 2008 16:24:18 +0000</pubDate>
		<guid isPermaLink="false">http://figitalrevolution.wordpress.com/?p=329#comment-174</guid>
		<description><![CDATA[Hi Stephen,

I already knew the Tri-X / Diafine combination was a good one. Some of the best 35mm portrait work I&#039;ve done is with that combination. I&#039;ve also had really good luck with my Holga cameras, shooting in low light with Tri-X and using Diafine as the developer to give a couple of stops extra.
I do print optically in the darkroom, however, and am not very apt at scanning (frankly, I find it tedious, but that&#039;s just me). But the same principles apply, but I give a little bit more exposure than you do for optimum results printing the way I do.

It is nice to hear about your results with Plus-X. For some reason it seems to be an overlooked film by many. I did try some in Rodinal a few years back, but couldn&#039;t find any real advantage over Ilford FP4+. FP4 did not work very well in Diafine, however. The same batch of developer churned out Tri-X like a champ, while the FP4 came out with really severe mottling and uneven development. It was a very disappointing experience. Maybe I&#039;ll give Plus-X a try, thanks to your research.

Thank you for posting your film developing results,

 - Thomas]]></description>
		<content:encoded><![CDATA[<p>Hi Stephen,</p>
<p>I already knew the Tri-X / Diafine combination was a good one. Some of the best 35mm portrait work I&#8217;ve done is with that combination. I&#8217;ve also had really good luck with my Holga cameras, shooting in low light with Tri-X and using Diafine as the developer to give a couple of stops extra.<br />
I do print optically in the darkroom, however, and am not very apt at scanning (frankly, I find it tedious, but that&#8217;s just me). But the same principles apply, but I give a little bit more exposure than you do for optimum results printing the way I do.</p>
<p>It is nice to hear about your results with Plus-X. For some reason it seems to be an overlooked film by many. I did try some in Rodinal a few years back, but couldn&#8217;t find any real advantage over Ilford FP4+. FP4 did not work very well in Diafine, however. The same batch of developer churned out Tri-X like a champ, while the FP4 came out with really severe mottling and uneven development. It was a very disappointing experience. Maybe I&#8217;ll give Plus-X a try, thanks to your research.</p>
<p>Thank you for posting your film developing results,</p>
<p> &#8211; Thomas</p>
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		<title>By: figitalrevolution</title>
		<link>http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/#comment-171</link>
		<dc:creator><![CDATA[figitalrevolution]]></dc:creator>
		<pubDate>Sat, 26 Apr 2008 00:17:18 +0000</pubDate>
		<guid isPermaLink="false">http://figitalrevolution.wordpress.com/?p=329#comment-171</guid>
		<description><![CDATA[In my opinion it IS possible to overdeveloper in Diafine...but the results of the overdevelopment are different than with other developers. I had a roll of Fuji Acros that I ran at EI of 160 with A for 6 minutes and B for 11 minutes at 70F and the negs looked great but the highlights were blocked up and the shadows were VERY open...too open. The nice thing about Diafine is that a little over is just fine but too much is too much. I would not shoot at box speed as it will make your work in PS more and is really not necessary (for most films). I shoot TX at 1250/1600, Acros at 160, TMAX 100 at 160, 125PX at 320/400...this increase in speed is due to the extra long dev that the shadows receive due to the nature of Diafine. I have no info on Delta 100....I did Delta 400 in PMK and loved it.

Cheers-
Stephen Schaub]]></description>
		<content:encoded><![CDATA[<p>In my opinion it IS possible to overdeveloper in Diafine&#8230;but the results of the overdevelopment are different than with other developers. I had a roll of Fuji Acros that I ran at EI of 160 with A for 6 minutes and B for 11 minutes at 70F and the negs looked great but the highlights were blocked up and the shadows were VERY open&#8230;too open. The nice thing about Diafine is that a little over is just fine but too much is too much. I would not shoot at box speed as it will make your work in PS more and is really not necessary (for most films). I shoot TX at 1250/1600, Acros at 160, TMAX 100 at 160, 125PX at 320/400&#8230;this increase in speed is due to the extra long dev that the shadows receive due to the nature of Diafine. I have no info on Delta 100&#8230;.I did Delta 400 in PMK and loved it.</p>
<p>Cheers-<br />
Stephen Schaub</p>
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		<title>By: Michael Sebastian</title>
		<link>http://figitalrevolution.com/2008/04/24/discover-x-films-kodak-125px-in-diafine/#comment-166</link>
		<dc:creator><![CDATA[Michael Sebastian]]></dc:creator>
		<pubDate>Thu, 24 Apr 2008 14:26:54 +0000</pubDate>
		<guid isPermaLink="false">http://figitalrevolution.wordpress.com/?p=329#comment-166</guid>
		<description><![CDATA[Stephen, nice post. 

Is it possible to overdevelop with Diafine? In theory it would not seem so, but I&#039;ve gotten results that looked overdeveloped.

I also shot at box speed, as I&#039;d been advised that doing so would improve shadow detail over that obtainable with film &quot;pushed&quot; in Diafine. You&#039;d not think exposure would make much difference at the highlight end, as long as development is correct, but....

Still searching for a developer that can make Delta 100 (at least the five rolls I have left) look good! I&#039;m too cheap to toss it, but I&#039;m buying only TMX, TMY, PX, and TX going forward.]]></description>
		<content:encoded><![CDATA[<p>Stephen, nice post. </p>
<p>Is it possible to overdevelop with Diafine? In theory it would not seem so, but I&#8217;ve gotten results that looked overdeveloped.</p>
<p>I also shot at box speed, as I&#8217;d been advised that doing so would improve shadow detail over that obtainable with film &#8220;pushed&#8221; in Diafine. You&#8217;d not think exposure would make much difference at the highlight end, as long as development is correct, but&#8230;.</p>
<p>Still searching for a developer that can make Delta 100 (at least the five rolls I have left) look good! I&#8217;m too cheap to toss it, but I&#8217;m buying only TMX, TMY, PX, and TX going forward.</p>
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